Words to Live By-Part 2

This is not a “best of post”, but a compilation of insights from creatives that I hope will encourage and inspire you on your own journey. Thank you to all of my guests this year for sharing your time and your stories.

Why you should be dancing

I am an advocate of dancing for fitness. You can search online for all the health benefits and how dance and music help with dementia, balance, physical fitness, and the aging process.  None of us are born dancers and were all beginners when we started.  The biggest hurdle for some is just getting past the fear of feeling incompetent, making a fool of yourself or just afraid you won’t be able to do it.  The dance communities are so welcoming to new dancers it makes it easy to fit in and create your dance family. Jeffrey Munson, Dance Instructor

About the healing properties of art.

This is an art process with the premise that art is a way of knowing and that each of us has the ability heal through art. The focus in on the art making process and what we can learn from that as well as the end product. Paulette Gill, Artist/Art Therapist

I met Tina Drakulich in 2016.  She was at the Air Base where I worked and saw the welded trophies I made for the Family Day car show.  After asking around, she found my office and saw how I decorated my military office with the objects I had created, especially the furniture.  After a few months of friendship, she convinced me to do an art show she would curate at her Foundation.  I made a dozen new creations for the event and became insanely hooked on making art.  It wasn’t until I retired a few years later did I realize the process of finding, assembling and showing off my creation, was a form of mental therapy exercises for me.  Tina showed me how art therapy can control my demons and anxieties.  She truly is my real life hero.  Rob Garrett, Artist

For those about to entrepreneur

Take your time, have a plan, trust your instincts, and surround yourself with people who support your dream. Shelley French, Type Townsend Proprietor

On discovery and the creative process

Assemblage is a fascinating process for me, because it’s really about finding ideas out of the unexpected.  I’ve always found a blank canvas to be incredibly oppressive.   You have the big white void in which you must invent the universe.  Personally I prefer to have something that drags me into an unexpected direction.  Perhaps that is because, I seldom have a set idea of what I want to create.  I don’t want to have a preconceived notion of my creation…I would prefer to be surprised. Why create on canvas when you can create on a shovel instead? Michael deMeng, Artist, podcaster

On Podcasting

Invest in audio! As someone who listens to many podcasts, the difference in audio can keep me coming back or turn off, if I feel I need to “fight” to hear what people are saying. Also, being a part of a podcast where we interview, I have found it helpful that guests receive questions ahead of time. We can still “riff” off of these – and some of my favorite moments are when we do! – but having an outline and predetermined questions gives me an anchor-Whitney Wilson, Author, Musician, Podcaster

On Returning to School

Going back to school as an older student has been a great experience and once-in-a-lifetime opportunity to take a break from work and devote all of my time to reading, studying, and working on my artistic practice. Bobby Lee, Photographer

On transitioning from music to art

After hanging up my hat as a musician, I struggled to find what genre of art I was going to specialize in. I had the fortunate dilemma of being interested in too many different types of art. Whenever I read a success story about an artist, they always seemed to specialize in one thing and they’d stick with it so that could become their “brand. “ I finally decided that all of my ideas could be expressed through circus banners, as painted 2-dimensional art. It was not one week after making this decision that I was contacted by American Horror Story to paint the circus banners for “Freakshow.”  It was a sign! Molly McGuire aka “Magwire”, Artist/Musician

On balancing day-to-day commitments with creative pursuits

I’m a mom to two toddlers, so I have to cherish a stretch of quiet when I get it. My husband is great about taking the girls sometimes so I can escape to a coffee shop and sketch or paint. However, as my girls get bigger I’m trying to teach them to love art as much as I do so that in time we can enjoy creative pursuits together. My 4-year-old, for instance, loves watercolors right now. I have to be careful, though, as my almost 2-year-old is really into painting too… on walls, doors, dressers, etc. Her creativity knows no bounds.-Jenny Kane, Watercolor Artist, Writer

While I was a full-time software engineering manager in the Bay Area, I began working five to nine as a filmmaker and photographer. I am naturally driven, and creative work energizes me. I keep detailed lists and decompose tasks to enable forward progress even if I have only small blocks of time available. I also work in parallel on more than one series so I can move forward when one of the projects isn’t going well. Most importantly, my husband is extremely supportive; he is unfailingly helpful when I am in crunch mode.  He has a high pressure job too, and we prioritize the demands of each other’s work. I’m a huge believer in persistence over time.-Anna Newman, Film Maker, Photographer, Musician

Who knows what opportunities await you in 2024. Empire Mine, Grass Valley, CA

Artist-Filmmaker-Musician Interview-Anna Newman

On set at Intel (photo credit-Dave Smith)

My biggest breakthrough came when…

My biggest breakthrough came when I was at an orchestra rehearsal and suddenly SAW the stage lights reflecting off sheet music onto the face of one of my fellow musicians. I had been trying for months with no success  to see small changes in lighting as I apprenticed with a Bay Area cinematographer.  This was a big moment for me and my photography/filmmaking. Sometimes I still struggle with studio lighting. I prefer to photograph with natural light.

Point and Shoot (2022) Series celebrating  vintage point and shoot cameras. Anna Newman

What drew you to the MFA program at UNR?

I was looking for an interdisciplinary program that would allow me to explore many genres of art making and diverse materials.  Rather than study in a single department, I hoped to have a chance to learn from faculty and students working in a wide range of mediums. UNR constantly exceeds my expectations.

How do you balance your day-to-day commitments with your creative pursuits?

While I was a full-time software engineering manager in the Bay Area, I began working five to nine as a filmmaker and photographer. I am naturally driven, and creative work energizes me. I keep detailed lists and decompose tasks to enable forward progress even if I have only small blocks of time available. I also work in parallel on more than one series so I can move forward when one of the projects isn’t going well. Most importantly, my husband is extremely supportive; he is unfailingly helpful when I am in crunch mode.  He has a high pressure job too, and we prioritize the demands of each other’s work. I’m a huge believer in persistence over time.

King of the Shop (2021) – This is the internationally beloved and much missed  shop cat, Dirt, at the Nevada Northern Railway in Ely, Nevada. Anna Newman

What are your other passions outside of your current creative pursuits?

In addition to making art, I play French horn in community orchestras. For more than thirty years I’ve been a member of the Peninsula Symphony in California, and I also perform with groups in Carson City, Nevada. I’ve played French horn since elementary school, and music informs my art through an attraction to repetition, multiples, and rhythm. I also do pro bono publicity photography for non-profit music organizations.

Steamin’ (2022) I love to photograph at the Nevada Northern Railway in Ely, Nevada-Anna Newman

What’s next for you?

I just completed a large solo show in Fresno that was the cumulation of several series exploring gentrification. Now I’m shifting my focus to photographing the ecosystems of giant sand dunes in Nevada, including Sand Mountain and Big Dune. I’m fascinated by creatures like the Big Dune Scarab Beetle (Pseudocotalpa giulianii), animals that are endemic to a particular dune; they live nowhere else in the world. We know so little about invertebrates and they have much to teach us. I’m getting help with this project from professors in UNR’s biology department and Museum of Natural History. That’s another great aspect of studying at UNR:  interdepartmental collaboration is encouraged and supported.

Hourglass: Big Dune Dusk (2023)-Anna Newman

What podcast/You Tube channel are you following?

I listen to the ArtSense podcast. They have great guests and frequently explore NFTs, the metaverse, and other high tech art topics that interest me.  

Is there anything else you’d like to share with our readers?

Success in art, however you define it, takes a long time, but surprising things can happen when you just keep showing up and doing the work. 

My website:  annanewmangroup.com
instagram: @ragtymedesign

On the set of my short documentary Wade Krause: Pinball Artist (photo credit Audrey Daniel)

Words to Live By-Part II

What doors do you hope to open in 2023?-Empire Mine, Grass Valley, CA

As I mentioned in the previous post, for the past few years at Create on the Side to I do a post in December featuring excerpts from the interviews from throughout the year. I was blessed with a bumper crop of interviews, so this post is Part 2. Part 1 was posted on December 3rd.  Wherever you are on your creative journey, I hope these excerpts provide a spark of inspiration for you to carry into 2023!

On being an entrepreneur

Being in business is a roller coaster ride.  You have your ups, downs, twists and turns and sometimes the world seems upside down.  Taking what you learn and propelling yourself forward when you fail is what will get you to where you want to go.  Take it one step at a time and keep moving forward.  Let go of the path you think you are going to take and focus more on the outcome.  The Ant Space-Lisa Slook-1-15-22

On displaying art in a small business

I think it’s important to strike a balance when displaying artwork. Yes, of course the artists know their work best and are the experts in displaying it AND it is your business, for which you are the expert – so the aesthetic needs to match to not only highlight the art, but also enhance your brand. For my restaurant, I want the work to be beautiful and appetizing. I am personally all for provocative art works, but given my location and being in the hospitality field, I need to strike that balance.-Lisa Ortiz-owner-18 North Kitchen & Bar-11-26-22

On Journalism

They will always have a job. The need for good, honest journalists is instrumental in the world we live right now. That is where my biggest struggle is. I’m not a journalist. My strength is on the sales and graphic design side, that is my passion. I’ve been lucky enough to have a few people in my life that have come into my life to write stories for me and I would not have been able to make this work without them. I have also had to step outside my comfort zone and write a few things myself, but if someone has a passion for journalism, that is definitely a smart career move. Teresa Stewart-Bristlecone Tribune, Owner-3-12-22

There’s a lot of frustration now with many local papers either selling or just quitting. There is a huge increase in the price of newsprint and printing presses are closing. As of July, another postal increase takes effect. There needs to be some real passion for news. Janice Buck-publisher/editor/writer-The Sierra Booster-8-6-22

On Breaking into Film

I think the best advice I would give someone who wants to work as a writer, director or in the entertainment industry as a whole – is to take every opportunity they can to be on a set and network with filmmakers and writers. Reach out to local production companies and ask if you can shadow them on a set, volunteer to be a production assistant.  Emily Skyle Golden- Executive Director & Founder-Cordillera Int’l Film Festival-7-16-22

J.P. Soars cigar box guitar

On Starting a Band

Through experience, a good approach to starting up a band is to make sure everyone involved is on the same page which takes a huge amount of communication and problem-solving skills. Regular rehearsals and decisions on songs to develop and directions in general is next, putting together solid promotional and marketing materials and establishing social media/YouTubes links after and having everyone in the band looking for work also helps immensely. Erika Paul, vocalist, pianist for The Jazzettes-9-10-22

Choose your band mates carefully Get to know your fellow musicians before you start rehearsals to make sure there is friendship, agreement, and commitment Be kind to each other, but be strong enough to set boundaries and limits – for yourself and each other Try to find musicians who are at or close to the same level/quality of musicianship Set up a time for an open conversation first about what the intentions are for your band – like… what is your style? What do you want the band to sound like? How many players? Do you want to make a recording? Do you want to tour? Be sure you are all on the same journey. Cami Thompson, musician, actress and vocalist/percussion for the Jazzettes-9-10-22

Writer/Filmmaker Interview-Emily Skyle-Golden

Tell us about yourself and the Cordillera International Film Festival.

Emily Skyle-Golden
Executive Director & Founder
Cordillera Int’l Film Festival

As a News Anchor, Emily Skyle loved delivering headlines but quickly learned she enjoyed telling the in-depth stories behind them even more – so she spent the next decade finding her voice as a storyteller on the Chicago stages of Second City and iO. Since then, Emily’s unscripted and narrative work has been seen on multiple networks and streaming platforms, with her most recent project, Rennervations (Starring Jeremy Renner) set to premiere on Disney+ in the fall. As a Director, her short films have played and won awards at top tier and Oscar Qualifying festivals around the world.

After moving to Northern Nevada, she quickly recognized what a truly unique environment the region presented for filmmaking. A native of Alaska, Emily was no stranger to natural scenic beauty, but area’s rare combination of unforgettable landscapes, historic mining towns and neon lights was a filmmaker’s dream. She began looking for ways to bring more film opportunities to the region and knew one of the best ways to accomplish this would be to create a world-class film festival that could serve as the backbone to the local film community, while actively introducing industry icons and Hollywood legends to all of Northern Nevada’s beautiful locations, exceptional recreational offerings and thriving artistic community.

Over the next three years, Emily forged relationships with community leaders, filmmakers and storytellers, and with their support and collaboration founded the Cordillera International Film Festival with the goal of becoming a FilmFreeway Top 100 Best reviewed film festival within the first 10 years – a mission Cordillera accomplished in just four short years – placing it in top 1% of over 10,000 festivals worldwide.

What has surprised you the most about the Cordillera International Film Festival?

I think the most surprising thing about Cordillera is the support we’ve received from audiences and organizations on a National and International level – but locally, despite an annual attendance of about 18K a year, most locals don’t know that Cordillera hosts almost 150 Hollywood Legends, Emerging Voices, Screenwriters and industry icons every year – right here in Reno!

What advice would you give someone who wants to work in film as a writer or director?
I think the best advice I would give someone who wants to work as a writer, director or in the entertainment industry as a whole – is to take every opportunity they can to be on a set and network with filmmakers and writers. Reach out to local production companies and ask if you can shadow them on a set, volunteer to be a production assistant. If they don’t know any filmmakers, Film Festivals are also an incredible place to meet future collaborators.

How have the recent changes in the entertainment industry impacted indie film makers?

The opportunities for independent filmmakers have completely transformed over the last decade. The transition into digital media versus film means almost anyone can pick up a camera or a cell phone and tell a story. Couple that with the streaming platforms and their constant need for new, innovative content and you have the perfect formula for someone with passion and a gift for storytelling to find a platform for their work.

Who are your writing role models?
When it comes to writing role models, I don’t know that I have one, or even several that I would name. I think I get more excited by moments in any given screenplay – character quirks, comedic quirks that surprise me, unexpected perspectives into a world I’ve never experienced – it’s more the combination of these skill sets that have inspired me and shaped my writing voice. That said, if Aaron Sorkin wrote it – chances are I’m going to LOVE it.

Is there anything else you’d like to share with our readers?
I would love for everyone to know that although during our festival you can spend 5 action packed days filled with 150+ films, panels, premieres and parties – you don’t have to. You can enjoy one event, or all of them! Tickets start at just $12 and whether you like comedies, docs or dramas – we have something for everything. CIFF 2022 takes place Thursday, July 28th – August 1st and the schedule and tickets can be found at www.ciffNV.org.

Writer/Filmmaker Interview-Sarah Edmonds

Tell us about yourself

Hello! I am currently a Dual MFA Creative Writing and MA English student at Arcadia University. I started the program after a few years working in independent film and public television—I’ve worked almost any position you can think of at one point or another. I’ve had films win recognition in a few national and international festivals and recently had a few poems published as well. While I do still work in film—mostly through writing my own screenplays and occasionally working as a script consultant—my main roles now include technical writer at an immigration law firm, Poetry Editor for Marathon Literary Journal, and Co-Chair for the Communications Committee of the American Public Health Association’s International Health Section. Outside of my professional life (and I consider my creative writing a part of my professional life), I usually wile away the days reading manga or practicing my own art skills. Admittedly, I don’t get much time outside of my professional life.

How do you balance your day-to-day commitments with your writing life?

Admittedly, I have a very difficult time saying “no” to people, especially when it comes to handling work tasks. I often feel like if I don’t get the request done immediately then I’ve somehow failed. That, however, is most times not the case at all. Something I’ve found that helps—and something I’m still trying to master—is the art of leaving things unfinished. I don’t mean perpetually, of course, but I try to create a schedule where every day includes some time for work and some time for writing and, more often than not, I break up tasks across multiple days instead of forcing myself to complete something entirely in a single sitting and not do anything else that day. That way, if I’m feeling more motivated to work on writing then I don’t feel that crushing sense of guilt about spending more time on my writing than on my work (and vice versa). I have a lot of different writing projects going on right now and I treat them all like I would my work tasks. I prioritize and schedule. It may not sound like the most “creative” process but it’s what works for me.

What advice would you give someone who wants to work in film?

My main advice to someone who wants to work in film will probably sound a little arrogant but it’s simply this: make films. It’s the same concept as trying to figure out what makes someone a writer: they write. Getting into film on a professional level requires an extreme amount of either persistence or luck. Sometimes both. For me, it was a bit of both. I got a position as a production intern on my first feature film—The Night Watchmen—because I mentioned to an English professor that I liked horror films and he told me about one shooting in Annapolis, Maryland (I was a freshman at McDaniel College at the time). I found the film’s page on Facebook and messaged them if they’d like some free help. That’s how I got into film.

However, not everyone has the resources to drive an hour and a half everyday to work for free to get into the industry. I fully understand that. Remember how I said I’ve worked almost every position you could think of? That’s because I conned—asked—my friends to be actors, wrote scripts, and made films with what was basically a crew of one. Whether you use your phone or a camera, lighting equipment or the sun, have actors or do an artistic piece about the life of a leaf, it doesn’t matter as long as you’re making films. YouTube and other social media platforms allow you to share your work easily but, if you’re looking to work in the industry, you can also submit that gorgeously shot cell phone film about a leaf into a film festival. There are paid and free ones and out of the thousands out there I can promise that one will be a good fit for you.

Submitting to festivals will get your work noticed. Going to festivals will get you noticed. A fun little story, during the first film festival I ever screened at I decided to get dinner instead of going to the awards ceremony. The short film I submitted was the second thing I had ever shot in my entire life and I was just happy it was screened. We won two awards that day: Best of Festival Poster Design and Best Short Student Horror/Scifi/Thriller. I didn’t go. Sometimes I wish I had other times I think the story is worth more but either way, at that festival I met filmmakers from New York to Australia. I was invited to submit my film to other festivals by those festivals’ directors themselves. If you go to film festivals—especially if you have a film in them—you will make connections. And connections really are vital. Oh, and always go to the awards ceremonies even if you think you don’t have a chance.

With so many changes in the entertainment industry, are there more opportunities for indie film makers?

With the exception of the effects of COVID-19, I would say that there are more opportunities for filmmakers. Digital platforms, for sure, make it easier to share your work and connect with other people in the industry. At the same time, however, I would say that there’s a lot more “noise” to compete with. Everyone out there has the potential to create amazing films and that’s exactly what so many people are doing. Creating a brand to stand out from all that—which is really what you need to do if you’re just starting out, especially if you’re looking to be an actor or director—is almost a full-time job. So I would definitely say that there are more opportunities but there’s also more competition.

Who are your writing role models?

This is a really difficult question… A brief list, I guess, would include Indrapramit Das author of my favorite book The Devourers, Melissa Marr, Mohsin Hamid, and Gail Tsukiyama. I don’t know if I can succinctly say just why I love their writing but they’re all authors whose work has really left a huge impact on who I am as a person and what I want my writing to feel like and accomplish in the future. I highly recommend any work by any one of them!

Since you wrote and directed The Bane of Man, I have to ask… what is your favorite movie monster?

As for my favorite movie monster… that’s a difficult question! I would have to say either the monster from “The Host” (2006), the Deadites from “The Evil Dead” franchise (I’m not sure if you’d call them monsters exactly), or the killer tire from “Rubber” (2010).

Is there anything else you’d like to share with our readers?

If there’s any one thing I want people to remember it’s just try not to be too hard on yourself. Whether it’s in your professional life or with your aspirations as a writer or filmmaker, remember that it’s okay to give yourself breaks and it’s okay to feel like things aren’t working out. As long as you keep going you will make progress. I can promise, more people are cheering for your success than you think. Also, if you have any specific questions about film (or just want to chat!) feel free to reach out me on any of the accounts below. Even if I don’t reply right away, I promise to try and help as best I can!

WordPress: https://forpageandscreen.home.blog 

Instagram: https://www.instagram.com/saraheedmonds/

Twitter: https://twitter.com/SarahEEdmonds

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